The central question
The stories ask who benefits from a verdict and whose testimony the court refused to hear.
Notes on the anthology's use of religious myth and horror.
The stories give physical form to the harm their characters once dismissed. A bishop must hold a dead child; a congregation sees the cost of its decisions beneath the courtroom floor.
The stories ask who benefits from a verdict and whose testimony the court refused to hear.
Satan's account of Heaven comes from an exile who helped create the rule he later opposed.
Horror lets a punishment confront its subject with the people affected by his choices.
The illustrations use scorched parchment and dark engravings, with red and orange light from the furnaces.
The condemned are permitted complexity. Institutions do not become moral merely by declaring themselves sacred.
Readers hear conflicting witnesses and must decide which accounts they trust.
The stories put religious claims under questioning, including the claims made by Hell.